landscape
generative art
01:55
2023
Linda Dounia is a Senegalese-Lebanese experimental artist, designer, writer, and curator. Her work examines the philosophical and environmental implications of techno-capitalism and how it reinforces systems of inequality. Her practice is part of a process of inner decolonization, which aims to untangle the fragmented and exclusive narratives associated with her identity by imagining alternative futures. Her works take shape in a liminal space between the immaterial and the material, combining analog and digital media. Her process is built on the tension between lived experience, code, and artificial intelligence, and advocates for greater agency in the face of algorithms, both in how we perceive them and how they perceive us. As a designer, she is interested in how technology can fairly represent and empower people. She has led design teams that use games, co-creation, and prototyping with communities to better understand systemic inequalities and make technology more accessible.
Her work on speculative archiving, the creation of AI models that help us remember what has been lost, earned her a spot among the most influential figures in AI on the TIMEA100 list in 2023. In 2024, she also received Mozilla’s RISE25 Award for her work in the field of AI. Her works have been exhibited at Christie’s, Larsen Warner Gallery, Unit London, Art X Lagos, Partcours, Art Basel (Basel, Miami), the Dakar Biennale, Artsy NFT, Digital Art Fair Asia, and Art Dubai. More recently, she has been featured at prestigious events such as the 2025 Summit for Action on AI in Paris, the exhibition Le Monde Selon l’IA at the Jeu de Paume, and the Augmented Intelligence auction at Christie’s.

The population of my hometown Mbour has nearly quadrupled in my lifetime. To cater to this population explosion, the central market now engulfs a majority of the neighbourhood where I grew up. The city is full of construction sites, new apartment buildings and homes going up every day. Access to the beach has become restricted, as hotels and restaurants scramble for what remains of a coastline getting closer and closer every year. While this situation is an expected outcome of economic development, I can't help but fear for my hometown and its vulnerability to a retaliating planet. This series was created using a GAN trained with topographic information of my hometown. I then took some outputs from that GAN and animated them. I used scripts to abstract the animations to focus on the topographic changes at a pixel level.
generative art
landscape
01:55
2023