Daria Anise is a 3D artist and motion designer based in Serbia, specializing in dynamic simulations, procedural graphics, and motion design. Her work is characterized by vibrant colors, soft textures, and intricate patterns, drawing inspiration from childhood memories to create pieces that balance technical precision with a simple, playful aesthetic. Her expertise in generating hair-like textures allows her to construct tactile, strikingly realistic digital animations.

With approximately a decade of experience, Daria has held various roles across motion design, VFX, and immersive media. Her educational background includes a Master's degree in Design, complemented by training in art and technology, which informs her approach to creative and technical challenges. Daria's work explores the intersection of technology and visual storytelling, offering a unique perspective that blends structure and imagination.

Lindsay Kokoska is a Canadian multimedia artist and founder of Infinite Mantra Art Studio, blending traditional and digital techniques, including AI, in her abstract and surreal art. Inspired by the cosmos, mindfulness, and spirituality, her dreamlike pieces explore themes of other dimensions, consciousness, meditation, and abstract forms. Her unique style merges abstract painting, fine art compositing, animation, and AI technology, creating visually stunning and thought-provoking pieces that captivate the imagination. Positioned between the abstract, figurative, and surreal worlds, her work channels an energy that inspires viewers to access deeper visions and recognize the magic in their own lives.

With a background in education, business, yoga, and meditation, Lindsay holds a Master’s degree in Graphic & Digital Art and has studied at the Toronto School of Art as well as pursued independent studies of abstract art in Bali, Indonesia. As an artist who believes in the infinite possibilities of creativity and imagination, she invites the viewer to be inspired by her work and to go inward, being reminded of the connections between material and spiritual experiences.

Dany Vo and Vy Vo, a dynamic artistic duo known collectively as Moonwalker Art, illuminate the creative landscape with their visionary works. United by a profound love for both nature and fashion, their artistry breathes new life into the familiar, infusing it with a captivating sense of surrealism. From their earliest days as budding artists, Dany and Vy found solace and inspiration in the natural world around them. Drawing from childhood memories and the innate beauty of their surroundings, they honed their craft through years of exploration and experimentation. With a foundation rooted in traditional artistry, they embarked on a journey of self-discovery, continuously evolving their techniques and perspectives.

What sets Moonwalker Art apart is their unique collage-style approach, a visual language that reimagines the familiar through a kaleidoscopic lens. Each piece is a symphony of textures, colors, and shapes meticulously arranged to evoke a sense of wonder and intrigue. Through their art, Dany and Vy invite viewers to transcend the ordinary and immerse themselves in a world where reality and fantasy converge. As technology emerged as a dominant force in the artistic landscape, Dany and Vy embraced the shift, seamlessly integrating digital tools into their repertoire. Their adaptability and willingness to embrace new trends have allowed them to stay at the forefront of innovation while staying true to their artistic vision. With Moonwalker Art, Dany Vo and Vy Vo invite you to embark on a journey of exploration and imagination. Through their collaborative efforts, they continue to push the boundaries of creativity, reminding us of the boundless possibilities that await when we dare to dream.

Stefany Layton Cuervo is a visual artist trained in painting, drawing, and art history whose practice has progressively expanded into digital and immersive media. Her work investigates the idea of expanded painting, in which the pictorial image moves beyond the physical canvas into computational and virtual environments. After years working with material painting, she began translating her visual language into generative systems using tools such as TouchDesigner, later extending this research into virtual reality, where bodily perception and spatial immersion became integral to her creative process.

Within this trajectory, Stefany explores the dialogue between digital and physical environments as a direct means of representing landscape. Her project Metamorphosis of the Landscape examines the circulation between virtual and material spaces, drawing on the notion of the ideal landscape historically constructed by Renaissance painters within the studio before being translated into painting. Across her practice, digital environments are approached as evolving entities capable of transformation and renewal, fostering an ongoing exchange between physical and virtual spaces. Through continued experimentation with virtual reality and generative processes, she develops landscape as a speculative and continually shifting field shaped by perception, limits, and spatial experience.