Pullman Tour Eiffel

In partnership with Artpoint, the Pullman Paris Tour Eiffel offers you the experience of digital art. Each month, discover the video artworks of four of the most cutting-edge digital artists of the moment on the sumptuous wall of screens located in the lobby. Find out more about the current exhibition here!

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Alex McLeod

Alex McLeod is a Toronto-based visual artist who creates immersive 3D environments exploring themes of interconnectedness, life cycles, adaptation, and the space between life and death. With a background in Fine Arts and Digital Media, he uses the computer as a tool for expression, blending technical precision with conceptual depth. His work draws inspiration from the mechanisms of social networks, the built environment, and digital culture, forming a visual language that navigates the blurred boundaries between reality and the imaginary. McLeod’s digital universes often serve as metaphysical landscapes that evoke empathy and reflection.

He holds a BFA in Fine Arts from the Ontario College of Art and Design and a Master’s in Digital Media from Ryerson University. His prints, animations, and sculptures have been exhibited in cities such as Toronto, Vancouver, Vienna, and Miami, and are included in both private and public collections worldwide. In addition to his artistic practice, McLeod’s work has been featured in advertising campaigns and music videos, demonstrating the versatility and relevance of his digital aesthetic across visual storytelling platforms.

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Love Again 1

Suspended in light, each petal whispers a story of renewal.

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Mandy Stoller

Mandy Stoller (SIMULATED) is a multi-disciplinary artist working in Los Angeles, New York, Paris and London. Her work merges traditional forms of art with cutting-edge technologies to explore the speculative future. SIMULATED's work examines the evolving relationship between nature and technology.


She received her BFA in Fine Art from Watkins College of Art, Design & Film in Nashville, TN, in 2009. After a decade of working as an advertising photographer, she has returned to her fine art practice. SIMULATED's background in photography informs her artistic vision, allowing her to blend technical precision with creative experimentation.

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Fragmented Memories XI - Horizontal

In this series, I explore the delicate relationship between nature and technology, probing the ways in which these two seemingly disparate elements interact and shape our perception of reality. Through the lens of a fading memory, my work contemplates the haunting beauty of nature as it becomes increasingly distorted by the relentless march of technology.


Using a scanner as my camera, I capture the essence of nature in its most ephemeral state. Flowers, once vibrant symbols of life and vitality, are transformed into spectral apparitions, their colors bleeding and blending in a ghostly dance. Each scan becomes a surreal snapshot of a world caught in the throes of transformation, where glitches and imperfections serve as reminders of the intrusion of technology into the natural realm.


At the heart of my exploration lies a poignant question: will technology serve as a bridge between humanity and nature, fostering harmony and positive transformation, or will it ultimately lead to the erosion of society as we know it? As I navigate this dichotomy, my work becomes a meditation on the uncertain future that lies ahead, where the boundaries between the organic and the synthetic blur, and the very essence of what it means to be human is called into question.

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Martin Naumann

Martin Naumann is a visual artist and multidisciplinary designer based in Leipzig, Germany, specialising in automated illustration and abstract generative art. He combines these techniques with his training in branding, typography, and motion design. Martin's work is often considered futuristic, combining experimental and abstract techniques with strong visual motifs inspired by nature and science.


In his freelance work, Martin has worked with various major brands and companies such as Adobe, Anjunabeats, Apple Music, Audi, Backforce, Billboard Magazine, Canadian Premier League, Coinbase, DIE ZEIT, GitHub, HSBC, Insomniac Events, Lando Norris (F1), Penguin Random House, Revealed Recordings, Spinnin' Records, StarWars™ / Lucasfilm, Supercell, Universal Music, Vitra, Wealthsimple, Xiaomi and Zalando.

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Virtual Foam II - Horizontal

Exploration of light and colour through generative bubble simulations

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Paloma Rincón

Paloma Rincón is a visual artist working in lens based still and moving image projects in a quirky style marked by bold colors and graphic compositions. She creates visual games using a playful language where the meaning of the objects is redefined by unexpected juxtapositions. In her work, Paloma explores perception through physical works that seem to be digitally created; synesthetic depictions with a deep use of texture, light and color toying with the real and the unreal. Her work ranges from experimental and personal projects to commercial assignments for worldwide brands and respected editorial publications.



Paloma is worldwide represented for commissions and has exhibited her work in Europe , Asia and America. You can find most of her personal work featured in reknown international publications and regularly travels around the globe to speak about her work in speaking engagements.

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Broken Heart

A series about fragility and a truncated love story using flowers in a symbolic way. This is an animation based on a photographic still shot combining High Speed Photography with frozen flowers in liquid nitrogen. Liquid Nitrogen evaporates at -200 ºC and when immersing the flowers on it they become fragile as glass. We used laser sensors to coordinate the exact moment when the flowers hit the surface and exploded to have perfect synchronization with the camera.