Sabrina Ratté is a Canadian artist based in Montreal, whose practice spans a wide range of digital mediums. Her work delves into various forms such as analog video, 3D animation, photography, sculpture, virtual reality, and installation. The continuous integration of new techniques allows her to explore recurring themes from fresh perspectives, examining how architecture and the digital environment shape our perception of the world. Influenced by the realms of science fiction, philosophy, and theoretical writings, Ratté reflects on the relationship between the virtual and the real, as well as the fusion of technology with the organic world. Her pieces navigate the space between abstraction and figuration, landscape and architecture, and blur the lines between the tangible and the virtual.
Ratté’s work has been widely exhibited internationally by renowned institutions, including the Centre Pompidou in Paris, the Whitney Museum of American Art in New York, the Musée des beaux-arts de Montréal, the Laforet Museum in Tokyo, and the PHI Center in Montreal. She was nominated for the Sobey Art Award in 2019 and 2020. Her works are part of the collections of the Musée d’art contemporain de Montréal and Hydro-Québec. In spring 2022, the Gaîté Lyrique in Paris held her first major solo exhibition, marking a significant milestone in her career.
Photo credits: Ian Lagarde
Sabrina Ratté is a Canadian artist based in Montreal, whose practice spans a wide range of digital mediums. Her work delves into various forms such as analog video, 3D animation, photography, sculpture, virtual reality, and installation. The continuous integration of new techniques allows her to explore recurring themes from fresh perspectives, examining how architecture and the digital environment shape our perception of the world. Influenced by the realms of science fiction, philosophy, and theoretical writings, Ratté reflects on the relationship between the virtual and the real, as well as the fusion of technology with the organic world. Her pieces navigate the space between abstraction and figuration, landscape and architecture, and blur the lines between the tangible and the virtual.
Ratté’s work has been widely exhibited internationally by renowned institutions, including the Centre Pompidou in Paris, the Whitney Museum of American Art in New York, the Musée des beaux-arts de Montréal, the Laforet Museum in Tokyo, and the PHI Center in Montreal. She was nominated for the Sobey Art Award in 2019 and 2020. Her works are part of the collections of the Musée d’art contemporain de Montréal and Hydro-Québec. In spring 2022, the Gaîté Lyrique in Paris held her first major solo exhibition, marking a significant milestone in her career.
Photo credits: Ian Lagarde
Radiances V
Floralia III
Floralia I
Machine for Living: Créteil
Floralia II
Aliquid
Machine for Living: La Grande Borne
Machine for Living: Montigny-le-Bretonneux
Floralia IV
Undream
Machine for Living: Tours Aillaud
Radiances III
Objets-monde II
Radiances IV
Radiances VI
Jump Cut II
Objets-monde I
Machine for Living: La Défense