Mauro Cosenza is an independent multidisciplinary artist specializing in circus performing arts and audiovisual multimedia development. His line of investigation links juggling, dance and humor and physical theater, together with the interaction of the body with digital art and interactive devices.
He has basic training from 2007 to 2024 in circus, physical theater, contemporary dance; basic programming in Python, developing visuals and immersive experiences in Touchdesigner; in Uruguay, Argentina and Mexico, which continued in Brazil and other European countries.
Since his beginning and up until now, he has worked on 100 Festivals and conventions of circus and other arts in several countries in America, and Europe, performing its shows, numbers and performances in places such as the: Neoshibuyatv in Miyashita Park Tokyo (Japan), “Noche de los Museos” for the National Museum of Visual Arts in Montevideo (Uruguay), NeoBotanica (An Atlas of Artificially Generated Flora) for Vetro Editions, Berlin (Germany) Intervals Fest in Nizhny Novgorod (Russia), NFTCC in Naples (Italy), “The Code” for Project22 and Kanvas in United Arab Emirates (Dubai), Festival "Pusk" in Vladivostok (Russia) 7th SESC International Circus Festival in São Paulo (Brazil), Ctrl Z (Research and show creation residency) PROAC Project Nº 7/2022, São Paulo, (Brazil), "Tantos Tons" Prize contemplated by Funarte edition "RespirArte", 3rd FIC - International Circus Festival of São Paulo, SP, (Brazil), 10th International Mime and Clown Meeting, Salta, (Argentina), 24th Brouwsels op Straat Festival, Eke Nazareth (Belgium), 6th Potes de Marmotes Festival, Guillesterre, (France), among others.
Today his field of work is digital art, technology and new media.
He has developed and created generative and digital systems in real time extracting data reading, creating visual effects and music in addition to exploring various sensors and interactive devices creating immersive atmospheres.
Mauro Cosenza is an independent multidisciplinary artist specializing in circus performing arts and audiovisual multimedia development. His line of investigation links juggling, dance and humor and physical theater, together with the interaction of the body with digital art and interactive devices.
He has basic training from 2007 to 2024 in circus, physical theater, contemporary dance; basic programming in Python, developing visuals and immersive experiences in Touchdesigner; in Uruguay, Argentina and Mexico, which continued in Brazil and other European countries.
Since his beginning and up until now, he has worked on 100 Festivals and conventions of circus and other arts in several countries in America, and Europe, performing its shows, numbers and performances in places such as the: Neoshibuyatv in Miyashita Park Tokyo (Japan), “Noche de los Museos” for the National Museum of Visual Arts in Montevideo (Uruguay), NeoBotanica (An Atlas of Artificially Generated Flora) for Vetro Editions, Berlin (Germany) Intervals Fest in Nizhny Novgorod (Russia), NFTCC in Naples (Italy), “The Code” for Project22 and Kanvas in United Arab Emirates (Dubai), Festival "Pusk" in Vladivostok (Russia) 7th SESC International Circus Festival in São Paulo (Brazil), Ctrl Z (Research and show creation residency) PROAC Project Nº 7/2022, São Paulo, (Brazil), "Tantos Tons" Prize contemplated by Funarte edition "RespirArte", 3rd FIC - International Circus Festival of São Paulo, SP, (Brazil), 10th International Mime and Clown Meeting, Salta, (Argentina), 24th Brouwsels op Straat Festival, Eke Nazareth (Belgium), 6th Potes de Marmotes Festival, Guillesterre, (France), among others.
Today his field of work is digital art, technology and new media.
He has developed and created generative and digital systems in real time extracting data reading, creating visual effects and music in addition to exploring various sensors and interactive devices creating immersive atmospheres.
